Books and Catalogues
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Poster for Leah Durner works on gallery ephemera, installation in Kingsway Corridor 4 – 5 July 2019 Goldsmiths University of Londonin conjunction with the Economics & the Plastic Arts workshop funded by the Independent Social Research Foundation
Poster for Leah Durner works on gallery ephemera, installation in Kingsway Corridor 4 – 5 July 2019 Goldsmiths University of Londonin conjunction with the Economics & the Plastic Arts workshop funded by the Independent Social Research Foundation
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Painting, Largesse, and Life: A Conversation with Leah Durner, Jorella Andrews and Leah Durner, 2019. An extensive conversation between scholar Jorella Andrews and artist Leah Durner on Durner's oeuvre from the period 1983-2018 in relation to practices and histories of painting and to Merleau-Ponty and phenomenology. Artist proof.
Painting, Largesse, and Life: A Conversation with Leah Durner is a companion to The Question of Painting: Rethinking Thought with Merleau-Ponty by Jorella Andrews.
Painting, Largesse, and Life: A Conversation with Leah Durner, Jorella Andrews and Leah Durner, 2019. An extensive conversation between scholar Jorella Andrews and artist Leah Durner on Durner's oeuvre from the period 1983-2018 in relation to practices and histories of painting and to Merleau-Ponty and phenomenology. Artist proof.
Painting, Largesse, and Life: A Conversation with Leah Durner is a companion to The Question of Painting: Rethinking Thought with Merleau-Ponty by Jorella Andrews.
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The Question of Painting: Rethinking Thought with Merleau-Ponty by Jorella Andrews published by Bloomsbury, London, 29 November 2018.
Jorella Andrews' book, The Question of Painting, provides a closely focused, chronological account of Merleau-Ponty's unfolding philosophical project and its relationship with art, clarifying how painting, as a paradigmatically embodied and situated mode of investigation, helped him to access the fundamentally “intercorporeal” basis of reality as he saw it, and articulate its lived implications.
Leah Durner's painting, Rousseau (2006), is the cover image for The Question of Painting, and there are three full-page illustrations and a discussion of Durner's work in the book.
The Question of Painting: Rethinking Thought with Merleau-Ponty by Jorella Andrews published by Bloomsbury, London, 29 November 2018.
Jorella Andrews' book, The Question of Painting, provides a closely focused, chronological account of Merleau-Ponty's unfolding philosophical project and its relationship with art, clarifying how painting, as a paradigmatically embodied and situated mode of investigation, helped him to access the fundamentally “intercorporeal” basis of reality as he saw it, and articulate its lived implications.
Leah Durner's painting, Rousseau (2006), is the cover image for The Question of Painting, and there are three full-page illustrations and a discussion of Durner's work in the book.
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Broadsheet for Leah Durner presentation "Extravagant Painting: Outpouring and Overflowing" at the 2017 College Art Association Conference in New York for the panel "Immeasurable Extravagance: Proposals for and Economy of Abundance in an Age of Scarcity." Broadsheet unfolds to a 30 in (76.2 cm) high poster.
Broadsheet for Leah Durner presentation "Extravagant Painting: Outpouring and Overflowing" at the 2017 College Art Association Conference in New York for the panel "Immeasurable Extravagance: Proposals for and Economy of Abundance in an Age of Scarcity." Broadsheet unfolds to a 30 in (76.2 cm) high poster.
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Brochure for Leah Durner at Fair Folks & a Goat New York September - November 2012
Brochure for Leah Durner at Fair Folks & a Goat New York September - November 2012
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Brochure for exhibition "Leah Durner Paintings 2002 - 2006" at Loretta Howard Gallery New York July 2012
Brochure for exhibition "Leah Durner Paintings 2002 - 2006" at Loretta Howard Gallery New York July 2012
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Brochure for exhibition "Leah Durner Naked Color: New Works on Paper" at 571 Projects New York May 2011. Essay entitled "Color/Sensation" by John Yau.
Brochure for exhibition "Leah Durner Naked Color: New Works on Paper" at 571 Projects New York May 2011. Essay entitled "Color/Sensation" by John Yau.
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Brochure for exhibition "Leah Durner at Nye Basham Studio" September 2009. Essay entitled "Leah Durner: Painting and the Post-Conceptual Painterly" by Jorella Andrews.
Brochure for exhibition "Leah Durner at Nye Basham Studio" September 2009. Essay entitled "Leah Durner: Painting and the Post-Conceptual Painterly" by Jorella Andrews.
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Brochure for exhibition"Leah Durner Paintings" curated by David Cohen at Wooster Arts Space November 2006. Essay by David Cohen.
Brochure for exhibition"Leah Durner Paintings" curated by David Cohen at Wooster Arts Space November 2006. Essay by David Cohen.
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Poster for exhibition "Leah Durner Works on Paper" Moon Gallery Berry College November 2005
Poster for exhibition "Leah Durner Works on Paper" Moon Gallery Berry College November 2005
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Multipurpose flyer, "On certain of my works on paper," by Leah Durner 2005
Multipurpose flyer, "On certain of my works on paper," by Leah Durner 2005
Articles and Reviews
"The Assemblage of Worthless Scraps into Compositions" by Leah Durner published online May 4, 2020 on the Independent Social Research Foundation (ISRF) website and in print in the July 2020 ISRF Bulletin Issue XXI: The Secret Life of Objects
In what way, this issue of the ISRF Bulletin asks, may the study of objects inform our understanding of social or cultural life? What conceptual or methodological challenges arise from the study of (or with) objects? Where do material objects sit within broader structures of signification? And how do they supplement, undergird, or otherwise interact with human subjectivity? In posing these questions, this issue builds on the well-established notion that objects do not form a wholly separate and silent backdrop to human agency but are woven into it, are required for and complicit in it.
In what way, this issue of the ISRF Bulletin asks, may the study of objects inform our understanding of social or cultural life? What conceptual or methodological challenges arise from the study of (or with) objects? Where do material objects sit within broader structures of signification? And how do they supplement, undergird, or otherwise interact with human subjectivity? In posing these questions, this issue builds on the well-established notion that objects do not form a wholly separate and silent backdrop to human agency but are woven into it, are required for and complicit in it.
"Industrial Evolution" pp. 72-79 New York Spaces May/June 2013. Article on apartment designed by Carrier & Company in the Printing House New York featuring artwork by Leah Durner.
"Style Sophisticates" p 110 Carrier and Company's Style Obsessions Manhattan Modern Luxury March 2013. Artist Leah Durner one of Jesse Carrier and Mara Miller's five style obsessions.
"Show Time" by Whitney Robinson Town & Country January 2012 pp. 100 - 105 . Article on Carrier & Company apartment for Town & Country Designer Visions Showhouse featuring Leah Durner paintings throughout.
Selected Website Listings
Here Are 13 of Our Favorite Gallery Shows From
Coast to Coast That You Can Visit Virtually ArtNet News May 18, 2020 Leah Durner Works on Italian Colored Paper at Loretta Howard Gallery was one of the 13 shows.
Coast to Coast That You Can Visit Virtually ArtNet News May 18, 2020 Leah Durner Works on Italian Colored Paper at Loretta Howard Gallery was one of the 13 shows.